Kern, Leslie. 2023. “La gentrificazione è inevitabile? Intervista a Leslie Kern”. By Benedetta Rossi, Eleonora Diamanti, and Vanessa Bilancetti. Dinamopress. May 25, 2023.
Levy, Helton, and Eleonora Diamanti. 2023. “Spray without Politics? Contrasting Street-Based Perceptions and Computer Vision Framings of Graffitied Rome.” Convergence, February. https://doi.org/10.1177/13548565231155076.
Boudreault-Fournier, Alexandrine, and Eleonora Diamanti. 2022. “To the Marrow of the Beast: Environmentalism and Visual Practices in Guantánamo, Cuba.” In After Progress, Digital Exhibition. The Sociological Review Foundation.
Diamanti, Eleonora, and Alexandrine Boudreault-Fournier. 2022a. “The Aesthetics and Imaginaries of the Night in Cuba: Bridging Audiovisual Ethnography and Film Studies.” Ethnologies 44 (1): 289–99. https://doi.org/10.7202/1096067ar.
Diamanti, Eleonora, and Alexandrine Boudreault-Fournier. 2022b. “Esthétiques et imaginaires de la nuit à Cuba : faire le pont entre l’ethnographie audiovisuelle et les études cinématographiques.” Ethnologies 44 (1): 301–12. https://doi.org/10.7202/1096068ar.
Diamanti, Eleonora, and Alexandrine Boudreault-Fournier. 2022c. “Introduction: ethnographies nocturnes : esthétiques et imaginaires de la nuit.” Ethnologies 44 (1): 29–39. https://doi.org/10.7202/1096055ar.
Diamanti, Eleonora, and Alexandrine Boudreault-Fournier. 2022d. “Introduction: Nocturnal Ethnographies: Aesthetics and Imaginaries of the Night.” Ethnologies 44 (1): 19–28. https://doi.org/10.7202/1096054ar.
Diamanti, Eleonora, and Alexandrine Boudreault-Fournier, eds. 2022e. “Nocturnal Ethnographies: Aesthetics and Imaginaries of the Night.” Ethnologies, 44 (1).
Diamanti, Eleonora, and Paolo S. H. Favero. 2022. “Octopuses, Remoras, and Surfers: Speculative Stories from the Offline Space of Digital Circulation in Cuba.” Feminist Media Studies 0 (0): 1–16. https://doi.org/10.1080/14680777.2022.2042831.
Diamanti, Eleonora, and Alexandrine Boudreault-Fournier. 2021. “Sensing the Night: Nocturnal Filmmaking in Guantánamo, Cuba.” Visual Anthropology Review 37 (2): 290–309. https://doi.org/10.1111/var.12245.
Diamanti, Eleonora. 2020. “Aerial Imagination in Cuba.” Review of Aerial Imagination in Cuba: Stories from Above the Rooftops, by A. Boudreault-Fournier. Visual Anthropology 33 (1).
Capriotti, Giuseppe, Eleonora Diamanti, and Onorato Diamanti. 2019. Nel cuore dei sibillini. Pellegrinaggio e immagini nel territorio del Santuario dell’Ambro. Tau Editore.
D’Angelo, Alexandra, and Eleonora Diamanti. 2019. “Emidio di Treviri: un’esperienza di Ricerca Collettiva sul Post-Disastro in Appennino Centrale (2016-2017).” Antropologia Pubblica 5 (2): 119–24. https://doi.org/10.1473/anpub.v5i2.162.
Diamanti, Eleonora. 2018. “Nocturnal Rhythms and Collective Practices.” Canadian Theatre Review 176 (1): 91–95.
Diamanti, Eleonora, and Ferdinando Amato. 2018. “In viaggio nel Piceno del doposisma.” Lo stato delle cose (blog). 2018.
Diamanti, Eleonora, and Alexandrine Boudreault-Fournier. 2018. Guardians of the Night. https://guardiansnight.wordpress.com
Diamanti, Eleonora. 2017. “Pistoletto in Havana: Specularity, Media Art, and Participation.” Archée, Revue d’art En Ligne: Arts Médiatiques & Cyberculture. May 2017.
Diamanti, Eleonora, and Ferdinando Amato. 2017. Dopo il terremoto. http://www.emidioditreviri.org
Diamanti, Eleonora, Kaj Huddart, and Michael Jemtrud. 2017. “Little Burgundy Narratives: A Case Study of Church Repurposing, Technology, Arts, and Civic Commons.” In_Bo : Ricerche e Progetti per Il Territorio 7 (10): 68–80. https://doi.org/10.6092/issn.2036-1602/6349.
Diamanti, Eleonora. 2016. “The Parabola of Italian Discotheques: From Radical Architecture to Spaghetti Dance.” Scapegoat Journal, (10):135–50.
Diamanti, Eleonora. 2015a. “Détournement et Magnification de l’imaginaire Urbain Dans Les Discours Sociaux.” In L’imaginaire: Texte et Image, edited by Claus Cluver, Matthijs Engelberts, and Véronique Plesch, 331–40. Boston: Brill.
Diamanti, Eleonora. 2015b. “En Marge Du Quartier Des Spectacles: Tensivité et Trajectoires Opposées Du Spectrum et Du Café Cléopâtre.” In Le Quartier Des Spectacles et Le Chantier de l’imaginaire Montréalais, edited by Simon Harel, Joël Thibert, and Laurent Lussier, 33–69. Québec: Presses de l’Université Laval.
Diamanti, Eleonora. 2015c. “Festive, libertine, rebelle : Montréal la nuit.” Intermédialités : Histoire et théorie des arts, des lettres et des techniques / Intermediality : History and Theory of the Arts, Literature and Technologies, no. 26. https://doi.org/10.7202/1037316ar.
Diamanti, Eleonora. 2015d. “La recherche-création : transdisciplinarité, écologie du savoir et méthode papillon.” Archée: cyberart et cyberculture artistique.
Diamanti, Eleonora. 2014a. “Formation et transformation de la place publique montréalaise.” In Formes urbaines, edited by Will Straw, Anouk Bélanger, and Annie Gérin, 66–75.
Diamanti, Eleonora. 2014b. “Into the Midst of the Edge.” Archée, Revue d’art En Ligne: Arts Médiatiques & Cyberculture. February 2014.
Diamanti, Eleonora. 2013. “Into the Midst.” Inflexions. 2013.
Diamanti, Eleonora, and Onorato Diamanti. 2013. La Via Francisca Appenninica. Amandola: Staf Edizioni.
Diamanti, Eleonora, Dagmara Zawadzka, and Mariza Rosales. 2013. “Les Dissonances Du Vivre-Ensemble. Introduction.” In Proceedings of the 2nd Student Conference of CÉLAT, 1–3.
Diamanti, Eleonora. 2012a. “Communicating the City Identity: UNESCO Creative Cities.” In Challenges in International Communication, edited by Margarita Kefalaki and Yorgo Pasadeos, 239–46. Athens: Atiner.
Diamanti, Eleonora. 2012b. “Pratiques Urbaines Entre Politique et Architecture.” Ocula Semiotic Eye on Media 13: 1–15.
Diamanti, Eleonora. 2012c. “« Printemps érable » o quando gli studenti diventano il motore del cambiamento sociale.” Trahir, May 2012.