Smyth, Carolyn. 2010. “The Church, Antiquity, and the Art.” In Proceedings of a Conference on Early Modern Rome 1341-1667 Held on May 13-15, 2010 in Rome, edited by Portia Prebys, 604–605. Ferrara: Edisai.
Smyth, Carolyn. 2008. “Insiders and Outsiders: Titian, Pordenone and Broccardo Malchiostro’s Chapel in Treviso Cathedral.” Studi Tizianeschi, 5:32–75.
Smyth, Carolyn. 2006. “Devozione e consolazione nell’ltalia post-tridentina: L’immagine di San Nicola da Tolentino e le anime del Purgatorio.” In Escatologia, aldilà, Purgatorio, culto dei morti: L’esperienza di San Nicola da Tolentino: Contesto culturale, evoluzione teologica, testimonianze iconografiche e prassi pastorale, 161–173. Tolentino: Biblioteca Egidiana.
Smyth, Carolyn. 2004. “Pordenone’s Passion Frescoes in Cremona Cathedral: An Incitement to Piety.” In Drawing Relationships in Northern Italian Renaissance: Patronage and Theories of Invention, edited by Giancarla Periti, 101-128. Aldershot, UK: Ashgate.
Smyth, Carolyn. 1998. Review of La più bella di tutte, by Eugenio Riccomini. Art Bulletin 70 (1): 150.
Smyth, Carolyn. 1997. Correggio’s Frescoes in Parma Cathedral. Princeton, NJ: Princeton University Press.
Smyth, Carolyn. 1996. “An Instance of Feminine Patronage in the Medici Court of Sixteenth-Century Florence: The Chapel of Eleonora da Toledo in the Palazzo Vecchio.” In Women and Art in Early Modern Europe, edited by Cynthia Lawrence. University Park, PA: Pennsylvania State University Press.